Another example of Ronstadt's joyous way with the hits of her youth lies in her romping version of Buddy Holly's "That'll Be the Day." While she would go on in the 1980s to famously breathe new energy into the Great American Songbook with Nelson Riddle, her now classic 70s albums have become a compendium of enduring pop/rock songwriting from a similarly fertile pool of creativity. Ronstadt confidently eases into Willie Nelson's "Crazy," putting her stamp on Patsy Cline's most emblematic hit with phrasing and a vocal timbre that are memorably distinct from Cline. The Grammy winning collection is anchored by a pair of sure-fire covers. See more Your browser does not support the audio element. ![]() ![]() Bonoff is heard in the moody bookends of opener "Lose Again," and closer "Someone to Lay Down Beside Me." And Zevon's dark ballad, here turned into a gentle lament with Don Henley singing harmony, serves as the album's title track. Two major talents in the SoCal songwriting universe, Karla Bonoff and Warren Zevon, are elemental to the success of Hasten Down the Wind. After her vocals and innate gift for unerring phrasing, it's the incomparable songwriting that's allowed these records to age so gracefully. Buy the album Starting at $13.09īy the mid-70s, Linda Ronstadt and producer Asher had achieved a consistency with her albums, becoming almost clairvoyant in mixing material from a variety of sources, in styles ranging from art house esoteric to radio ready, into a coherent whole that continued to satisfy existing fans and win enthusiastic new converts. While some critics may have preferred Joni Mitchell's intellectualism, Bonoff and Ronstadt tapped directly into the internal experiences of the American everywoman.Purchase and download this album in a wide variety of formats depending on your needs. Instead of the rush of newfound love, “Lose Again” deals with the tribulation of maintaining long-term relationships after the bloom is gone. Open in Music Hasten Down the Wind Linda Ronstadt POP 1976 Preview Named for the celebrated Warren Zevon song of the same name (sung here with Don Henley), Hasten Down the Wind shows Linda Ronstadt outgrowing the boisterously girlish persona that had made her a hippie icon. Together they formulated a realistic, grownup perspective for female pop music. Ronstadt brings soaring authenticity to Bonoff’s resolute words. Tracy Nelson gave Ronstadt “Down So Low,” a husky blues about a rough breakup, while Karla Bonoff-who wrote “Lose Again,” “If He’s Ever Near," and “Someone to Lay Down Beside Me”-is the album’s hidden star. ![]() But more crucial is its inclusion of contemporary women songwriters. Like its predecessors, the album looks to Ronstadt’s peers (Zevon, Ry Cooder) and her formative idols (Buddy Holly’s “That’ll Be the Day,” an extra-sultry version of Patsy Cline’s “Crazy”). Named for the celebrated Warren Zevon song of the same name (sung here with Don Henley), Hasten Down the Wind shows Linda Ronstadt outgrowing the boisterously girlish persona that had made her a hippie icon.
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